"Jan Johansson was a Swedish jazz pianist. He is little known outside Scandinavia, and his records are not widely available, though Jazz på svenska (Jazz in Swedish) has sold more than a quarter of a million copies, and is the best selling jazz release ever in Sweden. Johansson was a native of Söderhamn, in the Hälsingland province of Sweden. Studying classical piano as a child, he would also go on to master the guitar, organ and accordion, before turning on to swing and bebop as a teenager. He met saxophonist Stan Getz while at university. He abandoned his studies to play jazz full time, and worked with many American jazz musicians, becoming the first European to be invited to join the Jazz at the Philharmonic package. The years 1961 to 1968 produced a string of classic albums, which would help define his style of re-imagining traditional European folk tunes via jazz and the avant garde. These included Jazz på svenska and Jazz på ryska (Jazz in Russian) which are both available in an expanded form on CD. Jazz på ungerska (Jazz in Hungarian) together with Danish Jazz violinist Svend Asmussen is the third album in that series. Jazz in Swedish comprises variations on sixteen Swedish folk songs with Georg Riedel playing acoustic bass. During this period, Johansson also made several recordings with Radiojazzgruppen. With his career including film & TV music, Johansson is also best known as the composer of "Here Comes Pippi Longstocking" ("Här kommer Pippi Långstrump"), the theme song of the famous Swedish TV series, Pippi Longstocking. With lyrics by character/series creator Astrid Lindgren and sung by the series' young star Inger Nilsson, it would also be one of Johansson's last works". -Wikipedia
music includes:
Jan Johansson - Visan Från Utanmyra
(Jazz På Svenska, 1962)
Jan Johansson - Emigrantvisan
(Jazz På Svenska, 1964)
other..
Monica Zetterlund - Visan Från Utmyran
(Monicas Basta, 2007 comp)
unrelated andersson-moment
Bathtub Sequence
(Roy Andersson: Du Levandes, 2007)
"Helsa Göring!"
(Songs from the Second Floor, 2000)
.
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